Showing posts with label News Week Press Past. Show all posts
Showing posts with label News Week Press Past. Show all posts

Monday, May 4, 2009

Hola!

Thousands steps would not happen if we never stepped.

This is our first edition. Maybe it is not perfect but, we will never be perfect if did not start it. News Week Press now is struggling with very few journalists and photographers. But, we will not give up. We will give everything we got to give any information to You. Yes, You all are our soul. You all are our reason to live. Because of You, we exists. Thousands thanks we give to You after the crews. This is, maybe, not the best. But, this is the result with two journalists, a photographer, and two editors. We will never sleep.

Best regards,


The crews

NWP Report: Acoustic Competition in ESPORACO



This year, Porsejur, which was named ESPORACO, had showed an interesting kind of activities. It was Acoustic Competition that held April 27. It performed students of each major in English Department.

It started at 10 am and was opened by Ryan from English Literature Non Regular ’06 with 2 his own songs. And one of performers had played Follow Me (Beat Crusaders). Also, there was an amazing performing from Business English. In the middle of event, there was performed Kelly ‘n Weekend Project. It refreshed the temperature that was being hotter.



This event had 2 judges. They were Syarief from Sendratasik and Budi ‘Beneath of the Eksterior’. They commented that it was easier said than done to choose who the winners are.
“… They played well. Everyone got its style. But, in fact, we have to choose the winners.” Budi added the comment.



In the end of event, there was a music session from the judges and few audiences. They played two songs. Syarief was ‘the man’ in playing the guitar. He was playing so good and everyone who came to the event had given great applause to him.

However, it was an excellent event. Even there was so many Japanese influences (ESPORACO was held by English Department), it could be a place for English Department’s students to show their teeth. And, it was a perfect event. (ryn/nwp)

The winners:
1st English Education Non-Reg ‘08
2nd Business English
3rd English Literature Non-Reg ‘08

BEM's Corner

The ESPORACO (Porsejur) Closing Event was Delayed

FBS, Surabaya - The closing event of ESPORACO was delayed. It was happened because the committees did not have enough preparation. Everything was wrecked and out of concept. The committees had failed to get the money to fulfill the needs. It was an irony that some time ago they had rejected the Rp 30.000.000,- contract.

“They are fool. Maybe we don’t give 40 millions. But, if I were they, I would take it and erase unimportant needs.” Shouted someone who did not want the name to be published. “Yes. They think they can do get 30 millions in 3 days. Tambah siip ae..” The other added.

The committees said that the closing event would be held on May 27. But, as usual, they could not assure it. They did not have enough money. Furthermore, they looked like avoid the press and everyone who asked about ESPORACO’s closing event. And, there was a rumor that they had hired an event organizer. Still, when we (NWP crew, red) tried to get any information about it, they avoided.

“We don’t know more about ESPORACO. But, we hope that it will not be like Pekan Bahasa dan Seni UNESA that had been held few time ago.” Said Heri, the student of English Literature Major.

We all hoped it could happen well. All the people were still having trauma after Pekan Bahasa dan Seni Scandal. They wished BEM-J Inggris would not do the same mistake. All of the people wishes now in BEM-J’s back. (ryn/nwp)

Voices of Pen

Feminism Flash

There are many points of view about beauty standard. Mostly, long hair, straight hair, big breasts, blonde hair, slim body, smooth skin, larger eyes, and smaller chin and nose are considered as the beauty standard. These kinds of paradigm mostly spread from people who are living in pop culture lifestyle especially in Europe and America (but now, it already spread in Asia too). Because of feminism, women now in charge to race to have body based on ‘standard’. Women are not shy to show how slim they are. Wearing a very small T-shirt that can show how slim they are and wearing sexy short pants are now being popular for women. They think that everyone has to know how perfect their body, how beautiful they are. It’s like the most beautiful woman, Cleopatra, did.

In Europe and America, beautiful standard has been issued in childhood. Everyone knows who Barbie is. She is a beautiful girl who has a long blonde straight hair, slim body, and tall. However, it is a dogma that has been given in most girls/women’s childhood. They will apply them to their self as soon as possible. Incidentally, some of them made up their look like a woman when they’re child.

Every woman wants to be beautiful. Some say beautiful is health. Modern women often want to be adult as soon as they want because, they want to have a nice body, big breasts, and also, fertile. In contrary, when they are already adult, they do not want to be older. Thus, they think being old will lose their beauty. They will lose their skin’s elasticity, and in a condition, they will do everything to get their beauty (plastics, botox, etc.).
Many doctors and scientists are now in charge to release the women from beauty cage. They join with psychologist to give suggestions about women’s sex appeal. They try to tell that beauty is not just coming from what can be looked, but, it is coming from another thing.

Febrian Eka Aditya
English Literature '06

Movie Review

Sweeney Todd
Directed by Tim Burton

For the holidays, Tim Burton serves up the sugarplum tale of serial-killing barber Sweeney Todd (Johnny Depp), who slits the throats of his customers and then, with the help of bake-shop owner Mrs. Lovett (Helena Bonham Carter), grinds up the corpses and serves them as meat pies to a salivating if unsuspecting public. What more do you want in a musical? So get prepped, gore addicts — Sweeney Todd, subtitled The Demon Barber of Fleet Street and set in nineteenth-century London, is ninety percent sung. And doing the lion's share of the warbling is Depp, who has never sung a note onscreen and still has the sand to take on a landmark musical by legend Stephen Sondheim that leaves trained opera stars feeling daunted. A recipe for disaster? You'd think. Instead, Sweeney Todd is a thriller-diller from start to finish: scary, monstrously funny and melodically thrilling. And Depp is simply stupendous. He's not Pavarotti and doesn't try to be, but his light baritone has clarity, timbre and emotive power. Depp erases the line between singing and acting, fusing them into something that keeps the movie blazing. Oscar, take note. This Sweeney is a bloody wonder, intimate and epic, horrific and heart-rending as it flies on the wings of Sondheim's most thunderously exciting score. Burton is a true visionary, and with the help of cinematographer Dariusz Wolski, costume whiz Colleen Atwood and production designer Dante Ferretti he sets a new gold standard for bringing a stage musical to the screen. Burton knows that Sweeney Todd has been sacrosanct in theater circles since its Broadway debut in 1979, starring Len Cariou and Angela Lansbury. He knows that what Sondheim composes is considered holy writ. And yet Burton and screenwriter John Logan (Gladiator) have deleted songs, abridged characters and sliced an hour off the show's three-hour running time in the name of keeping the tale fixed on Sweeney's need for vengeance. What's our boy so pissed about? As a young barber, he doted on his wife and baby daughter. The wife's beauty attracted Judge Turpin (a superlatively creepy Alan Rickman), a sexual predator protected by the law in the person of Beadle Bamford (Timothy Spall). A trumped-up charge sent the barber to an Australian prison and the judge into rape mode. Fifteen years later, Sweeney is back in London, a shock of white in his hair to match his deathly pallor. Mrs. Lovett, his former landlady, tells him that his wife went mad and took her own life, and that the judge now plans to marry Johanna (Jayne Wisener), Sweeney's daughter. That's the setup. In the soaring duet "My Friends," Mrs. Lovett sings of her love for Sweeney while he declares his passion for his razor ("At last my right arm is complete again"). Sweeney regains his tonsorial rep by defeating Pirelli, a rival barber done to a low-comic turn by Sacha Baron Cohen, and tempts the judge into his barber chair. The two sing one of Sondheim's loveliest ballads ("Pretty Women"), but just before the barber can put blade to the villain's throat, Anthony (Jamie Campbell Bower), a young sailor also in love with Johanna, interrupts and sends the judge scurrying. Sweeney snaps, and in his strongest anthem ("Epiphany") vows to take revenge on all mankind. Cue the corpses and the meat pies, as a beggar woman (Laura Michelle Kelly) sings of a "city on fire." Burton's use of blood is impressionistic, not realistic. But the prudes still whine about the R-rated violence. When did we become a nation of wimps? This brilliantly conceived and executed film moves from one highlight to another. The darkly delicious Bonham Carter rivals Depp in using an untrained voice to anchor lyrics to truth rather than showoff technique. She is funny and touching singing "By the Sea," a number that brings the screen alive with color as Mrs. Lovett imagines the impossible: Sweeney returning her desire. Later, Bonham Carter evokes chills in "Not While I'm Around," a ballad of devotion she croons to her young apprentice, Toby (the excellent Ed Sanders), just before she arranges his demise. As the film follows its tragic course, Depp scores an explosive triumph. Covered in blood, Sweeney is finally engulfed by his emotions, and Depp finds the character's grieving heart. It's a staggering moment in a spellbinder of breathtaking beauty and terror. (rollingstone/nwp)

Nature Life

Energy vampires: Fact versus fiction

it's well-known that most electronic devices in our homes are sucking up energy even while they are turned off. But for all the information out there, many questions remain. I got hundreds of reader questions after writing the post What's wasting energy in your home right now. Below are answers to the five most common inquiries:

Which electronic devices waste the most energy when they are turned off but still plugged in?
Set-top cable boxes and digital video recorders are some of the biggest energy hogs. Unfortunately, there's little consumers can do since television shows can't be taped if boxes are unplugged. It also typically takes a long time to reboot boxes.
However, some of the other major consumers of standby power are more easily dealt with: computers, multifunction printers, flat-screen TVs, DVDs, VCRs, CD players, power tools, and hand-held vacuums. The Lawrence Berkeley National Laboratory (LBNL) measured standby power for a long list of products.
While it's true each individual product draws relatively little standby power, the LBNL says that when added together, standby power can amount to 10% of residential energy use.

Why do electronic devices use energy when they are switched off?
Electronics consume standby power for one of two reasons, says Chris Kielich of the Department of Energy. They either have an adapter that will continue to draw electricity, or they have devices (such as clocks and touch pads) that draw power. Anything with a remote control will also draw standby power, she says, since the device needs to be able to detect the remote when it's pushed.


Does everything suck energy when it's plugged in and turned off?
No. If your coffeemaker or toaster doesn't have a clock, then it's probably not using standby power, says Kielich. Chances are your hair dryer and lamps (although they may have a power adapter for the dimmer) are not drawing standby power either, she says. Devices with a switch that physically breaks the circuit don't consume standby power.

Will switching things on and off shorten their life?
Probably not, says Kielich. You'd have to turn devices on and off thousands of times to shorten their lives. The real downside, she says, to unplugging electronics is that clocks and remotes will not work, and you do have to reset everything.

Can you ruin batteries by unplugging battery chargers and causing batteries to completely discharge?
It could be a possibility, says Kielich. Her advice: Don't let batteries get completely drained. But you don't need to have things like hand-held power vacuums and drills plugged into the charger when it's 100% charged, or even 50% charged.
Power Strip FAQs

Plugging electronics into a power strip and turning it off when you're not using it is a widely prescribed solution for curbing vampire power. Here are answers to common questions:
• Power strips draw energy when they are turned on, but not when they are switched off.
• Any decent power strip should have surge protection, according to Kielich. Flicking your power strip on and off will not create a power surge capable of damaging electronic devices. In fact, it will protect devices from other surges.
• Several readers were worried about the possibility of fires caused by plugging too many things in at once. If you plug in the allowed number of devices, then power strips are safe, says Kielich. Just don't plug your power strip into another power strip, or you run the risk of creating an overload. (noy/egs/nwp)

Literary Works (Short Story)

THE ORATOR

by Anton Chekhov

ONE fine morning the collegiate assessor, Kirill Ivanovitch Babilonov, who had died of the two afflictions so widely spread in our country, a bad wife and alcoholism, was being buried. As the funeral procession set off from the church to the cemetery, one of the deceased's colleagues, called Poplavsky, got into a cab and galloped off to find a friend, one Grigory Petrovitch Zapoikin, a man who though still young had acquired considerable popularity. Zapoikin, as many of my readers are aware, possesses a rare talent for impromptu speechifying at weddings, jubilees, and funerals. He can speak whenever he likes: in his sleep, on an empty stomach, dead drunk or in a high fever. His words flow smoothly and evenly, like water out of a pipe, and in abundance; there are far more moving words in his oratorical dictionary than there are beetles in any restaurant. He always speaks eloquently and at great length, so much so that on some occasions, particularly at merchants' weddings, they have to resort to assistance from the police to stop him.

"I have come for you, old man!" began Poplavsky, finding him at home. "Put on your hat and coat this minute and come along. One of our fellows is dead, we are just sending him off to the other world, so you must do a bit of palavering by way of farewell to him. . . . You are our only hope. If it had been one of the smaller fry it would not have been worth troubling you, but you see it's the secretary . . . a pillar of the office, in a sense. It's awkward for such a whopper to be buried without a speech."

"Oh, the secretary!" yawned Zapoikin. "You mean the drunken one?"

"Yes. There will be pancakes, a lunch . . . you'll get your cab-fare. Come along, dear chap. You spout out some rigmarole like a regular Cicero at the grave and what gratitude you will earn!"

Zapoikin readily agreed. He ruffled up his hair, cast a shade of melancholy over his face, and went out into the street with Poplavsky.

"I know your secretary," he said, as he got into the cab. "A cunning rogue and a beast -- the kingdom of heaven be his -- such as you don't often come across."

"Come, Grisha, it is not the thing to abuse the dead."

"Of course not, aut mortuis nihil bene, but still he was a rascal."

The friends overtook the funeral procession and joined it. The coffin was borne along slowly so that before they reached the cemetery they were able three times to drop into a tavern and imbibe a little to the health of the departed.

In the cemetery came the service by the graveside. The mother-in-law, the wife, and the sister-in-law in obedience to custom shed many tears. When the coffin was being lowered into the grave the wife even shrieked "Let me go with him!" but did not follow her husband into the grave probably recollecting her pension. Waiting till everything was quiet again Zapoikin stepped forward, turned his eyes on all present, and began:

"Can I believe my eyes and ears? Is it not a terrible dream this grave, these tear-stained faces, these moans and lamentations? Alas, it is not a dream and our eyes do not deceive us! He whom we have only so lately seen, so full of courage, so youthfully fresh and pure, who so lately before our eyes like an unwearying bee bore his honey to the common hive of the welfare of the state, he who . . . he is turned now to dust, to inanimate mirage. Inexorable death has laid his bony hand upon him at the time when, in spite of his bowed age, he was still full of the bloom of strength and radiant hopes. An irremediable loss! Who will fill his place for us? Good government servants we have many, but Prokofy Osipitch was unique. To the depths of his soul he was devoted to his honest duty; he did not spare his strength but worked late at night, and was disinterested, impervious to bribes. . . . How he despised those who to the detriment of the public interest sought to corrupt him, who by the seductive goods of this life strove to draw him to betray his duty! Yes, before our eyes Prokofy Osipitch would divide his small salary between his poorer colleagues, and you have just heard yourselves the lamentations of the widows and orphans who lived upon his alms. Devoted to good works and his official duty, he gave up the joys of this life and even renounced the happiness of domestic existence; as you are aware, to the end of his days he was a bachelor. And who will replace him as a comrade? I can see now the kindly, shaven face turned to us with a gentle smile, I can hear now his soft friendly voice. Peace to thine ashes, Prokofy Osipitch! Rest, honest, noble toiler!"

Zapoikin continued while his listeners began whispering together. His speech pleased everyone and drew some tears, but a good many things in it seemed strange. In the first place they could not make out why the orator called the deceased Prokofy Osipitch when his name was Kirill Ivanovitch. In the second, everyone knew that the deceased had spent his whole life quarelling with his lawful wife, and so consequently could not be called a bachelor; in the third, he had a thick red beard and had never been known to shave, and so no one could understand why the orator spoke of his shaven face. The listeners were perplexed; they glanced at each other and shrugged their shoulders.

"Prokofy Osipitch," continued the orator, looking with an air of inspiration into the grave, "your face was plain, even hideous, you were morose and austere, but we all know that under that outer husk there beat an honest, friendly heart!

Soon the listeners began to observe something strange in the orator himself. He gazed at one point, shifted about uneasily and began to shrug his shoulders too. All at once he ceased speaking, and gaping with astonishment, turned to Poplavsky.

"I say! he's alive," he said, staring with horror.

"Who's alive?"

"Why, Prokofy Osipitch, there he stands, by that tombstone!"

"He never died! It's Kirill Ivanovitch who's dead."

"But you told me yourself your secretary was dead."

"Kirill Ivanovitch was our secretary. You've muddled it, you queer fish. Prokofy Osipitch was our secretary before, that's true, but two years ago he was transferred to the second division as head clerk."

"How the devil is one to tell?"

"Why are you stopping? Go on, it's awkward."

Zapoikin turned to the grave, and with the same eloquence continued his interrupted speech. Prokofy Osipitch, an old clerk with a clean-shaven face, was in fact standing by a tombstone. He looked at the orator and frowned angrily.

"Well, you have put your foot into it, haven't you!" laughed his fellow-clerks as they returned from the funeral with Zapoikin. "Burying a man alive!"

"It's unpleasant, young man," grumbled Prokofy Osipitch. "Your speech may be all right for a dead man, but in reference to a living one it is nothing but sarcasm! Upon my soul what have you been saying? Disinterested, incorruptible, won't take bribes! Such things can only be said of the living in sarcasm. And no one asked you, sir, to expatiate on my face. Plain, hideous, so be it, but why exhibit my countenance in that public way! It's insulting."

***

NOTES

aut mortuis nihil bene: misquoted version of "De mortuis aut nihil aut bene" (of the dead speak well or not at all)

bribes: bribery was extremely common in Chekhov's Russia, particularly among the lower grade officials, who were paid inadequate salaries

Hot Shot



The bin? Is it still used?
Many people do not care the environment..
They have thrown away the trash everywhere they want..
Although, there have been a bin near them, they still have done the same thing..
We're as a college student should be aware with the condition of our environment, especially our campus.
Lets save our earth with the little better habit..
Throw the trash on to the bin! (ris/nwp)

Tuesday, April 7, 2009

News Week Press: "Kicked Out!! on world music day" Special Report


"Kicked Out!! on world music day" was a gig that was held by clubautis and English for Fun Division which was supported by BEM-J English Dept. The gig was celebrating the world music day (on March 21st). The gig was held in the hidden village of UNESA Lidah and there were many musicians and bands performing their own music.

"Kicked Out!! on world music day" had one stop genres concept. The gig exposed many kinds of music. Furthermore, the gig was held by money that collectively spent by all of the musicians performed. 20 bands performed well and gave joy to the audience. “This is awesome! This gig should be held once a month!” Daus said, one of H9’s players.


the audience


Mooikite


Papa Onta Cult



Like the concept mentioned above, the gig showed many genres. Mekar Jaya Abadi with hip-hop, The Molly with British rock ‘n roll, Pingpongdash with synth-power pop, Boot Hitam with crush punk, Ayox with guitar solo, Mooikite with experimental grunge, Blue Files with Pop Rock. In the night, the audience was given joy by Darkside of Angel with metal core, Beneath the Eksterior also with metal core, Papa Onta Cult refreshed with post punk, Wololo rocked with crossed-over rock, My Father is John with garage rock, Start Me Up with melodicabily, Dm7 with pop rock, Deskripsi Sebuah Mahasiswa with post rock, H9 with reaggae, De Morte with skacore, and also, Kelly ‘n Weekend Project cooled and closed the gig with progressive vintage.

“This gig is so real. So many kinds of music performed. I never know FBS (Language and Arts Faculty) had this before.Cool…” Budi, the guitarist of Beneath the Eksterior, shouted.
“This is my dream. I wanted to invite my friends from other universities to come FBS UNESA and rocked. Now, it comes true…” Ryan Ka, the vocalist & guitarist of Mooikite, said.
“I’m satisfied!!” Alfan, the vocalist of Papa Onta Cult, shouted.

But, even the gig received so many good comments, there were so many problems. Because of many musicians performed in the gig, the committees were in the big chaos. They should say sorry to audience because of the faculty building was locked and they couldn’t go to toilet. In this condition, everyone who came had to pee in uncertain area. Also, the pictures of the gig were gone because of the memory card of the camera was broken. Luckily, some pictures had saved. Furthermore, there was an issue the gig had written in one of local newspaper as a gig of Desgraf (this gig was held by clubautis, bands, BEM-J English Dept) but, actually, that issue was not true. However, they were moments of "Kicked Out!! on world music day". Everything could be learned from the gig. The pride, the respect of kinds of music, the works, they all remind everybody there was a hard work behind the big hit. (ryn/nwp)